Showing posts with label research. Show all posts
Showing posts with label research. Show all posts

Sunday, 25 March 2012

Evaluation Q4

4. How did you use new media in the construction, research, planning and evaluation stages?
New media technologies have been very important throughout my production process. I used social media in order to gain vital audience feedback from my target audience, so that I knew throughout I was on the right track. I also used new media to share my products and to research existing media to gain inspiration and learn from existing products. 


Research: Once I’d decided that I was going to produce a music video I set about researching the codes and conventions as well as music videos on YouTube to get an idea of how to make one myself. I was drawn towards Jamie xx’s remix of Rolling in the Deep and felt that it would be an interesting challenge to make a video for a dance remix of a popular song. I then looked at the differences between mainstream videos and dance music videos and found that dance videos were mostly more creative as they were often funded by independent labels and so the artists had more freedom.
I used Yahoo to gain feedback from a wider audience on what they expect from a music video and kept this in mind during the process.
I also used slideshare to upload keynote displays that deconstructed existing products and showed the conventions, such as in my ancillary research.


Planning: Once I’d done my research I set about storyboarding ideas and putting together a filming schedule and shot lists. I found making shot lists very helpful as it was a great prompt to remember all the angles and scenes that I wanted to complete each day. In terms of how I used new media to plan my music video, I utilised YouTube a great deal and channels such as Vevo which display almost every music video ever made which was a great source of inspiration. Also I uploaded test shots I’d done and got feedback from them to help me work out exactly which shots I wanted to use in the video - which worked and which didn’t. 


Construction: During the construction I used facebook quite a lot to give feedback on each of my rough cuts. To begin with I edited the different locations and then eventually put them all together and, for instance in the case of the interlude, my peers were really helpful in deciding whether to use text and to have that section in black and white or in colour.
I used iMovie on my macbook to create all my videos and used Photoshop to create my ancillaries. Since my preliminary task last year I have improved enormously and have gained many more skills in terms of knowing how to use Photoshop, being able to identify codes and conventions and apply them to my own work. 
AS Pre-Lim, AS Final Magazine Cover, A2 Final Advert
Here is a picture of my preliminary magazine cover. Compared to today I knew very little about photoshop or the conventions of a magazine, hence the basic layout and evident dead space.
If I compare this with my advert I can see that I now have more knowledge on composition and colour schemes as well as photoshop skills in order to create an effective cover which can then be implemented into the advert, which would fit the genre of music and brand of the artist.
My video editing skills have improved since beginning the course as I now have more awareness of how existing videos are put together and so have more attention to detail and focus on the beat and the many interpretations that the audience can take away from watching the video as each individual has a different reading.


Evaluation: In evaluating my work I looked back through my slideshare and Youtube pages to see how I’ve progressed. I went on sites such as Pixton to create an animation to explain how I made my music video in question 1.
Here is a video looking at most of the new media I’ve used in making my production... 
Therefore, as you can see, New Media Technologies have been imperative in my creation of my coursework. In the 21st century, thanks to the rise of the internet, anyone can produce texts and therefore the line between consumer and producer has become almost non-existent. The advances in technology mean that an 18 year old student such as myself is able to make products such as a music video by using software such as iMovie, share it to the world through YouTube and make a cover and advert by using Photoshop. The process has become very quick meaning I can have direct access to the audience at the click of a button and gain vital feedback from them instantly and apply that feedback to my texts. I can also talk to people all over the world on sites such as Yahoo.

Thursday, 16 February 2012

Ancillary: Final Cover

I've been through many experimental stages with my single cover for my ancillary task, from using an artistic, colourful approach to using jamie xx's real single covers as inspiration. I now think I have landed on an effective, simple design that effectively promotes jamie xx's single. The research I carried out before beginning my work was invaluable as it meant I had a good understanding of what is needed in a single cover and how much they have evolved. I used the discovery that many artists (especially dance artists which is the genre I'm working in) use a still from their video as the art for their cover to fully create a house theme in their promotion for the song, as basis for my final draft. 
Before settling on my final cover I looked one last time at trying to incorporate my female protagonist into the cover...
But, once again, I think it fails to grab the audiences attention and the cover that I eventually chose not only has an artistic feel to it which fits in with the jamie xx brand but also features water and so interlinks with the concept of 'rolling in the deep'. 
Here is my final cover...

Saturday, 10 December 2011

Ancillary Research: Adverts

I've created this keynote presentation deconstructing magazine advertisements for various music albums. This was useful in studying so I could get a better idea for what I need to do for my ancillary tasks. The adverts I looked at are going to be very influential as I go about putting together my own adverts.

Sunday, 20 November 2011

Videos and Cover Art

During my research it has become increasingly obvious that music videos and artist's covers are very much interlinked and that the themes from the song and video are transferred into the marketing. Thus it's important to make sure the single cover I make completely reflects my music video and vice versa.


Sometimes the themes are even stronger as stills from the actual video are used as the cover art. Therefore I need to make sure that my video keeps a constant in its quality. 
Cover Art
Calvin Harris has been a big influence on my music video. His video for Feel So Close has a very intense feel while being beautiful to look at and reflecting the themes of the music. It's an example of an interlinked video and single cover. I like that it's very direct and to the point and very simple - just having the title and artist name.


The themes of the song I've chosen are about a break up. The female is singing about how their relationship could have been good (suggesting she was angry over the break-up) but she's glad it's over now (implying he dumped her) as she can now see that he 'played' her and that she's much better off without him. I see this as a positive message which is why I want to make sure the song ends on a positive note. 
Also as I'm using a remix it has a different sort of edge to it. It has a sort of caribbean feel and the extra use of drums makes it almost more aggressive and has a faster pace. 
Source
I need to remember, whilst editing, these themes and try to continue them through as I start to put together drafts for my ancillaries. 

Monday, 14 November 2011

Ancillary: Research

As my brief is to create a promotion package for the release of an album, I need to not only include a music promo video, but to also create 2 of the 3 options...
- a website homepage for the band
- a cover for its release on CD
- a magazine advertisement for the CD


I think a website would be less appropriate than the other options as my song is a remix and thus not one single artist or band. Therefore I have decided to make a CD cover and magazine advert for it. 
Today I'm going to look at existing products for CD covers to get some inspiration and ideas for my ancillary task.


Firstly, the original Adele single cover for Rolling in the Deep...
Her album cover is similar - black and white with a simple pose and fonts...
Her colour scheme is black, white and lime green so very simplistic which may be something I want to take on board.


There are two covers for the song I'm using...



Other xx covers for their singles also feature heavily the colour black, but with interesting art and colours...
So far I've learned that the colour black is very prominent and that simplicity is key. I'm now going to look at some other covers that I like to see what works...

Wednesday, 2 November 2011

Postmodern Exhibition

On Wednesday 26th October, I went to the V&A to visit the Postmodernism: Style and Subversion 1970-1990 exhibition. It was really interesting, informative, inspiring and thought-provoking. (Click here for a BBC video of the exhibition.)
I took lots of notes during the exhibition and learnt a great deal while there.
The exhibition took you through the beginning of Postmodernism right up until (and past) it's death. 
"After all, since it is fairly dead, we might as well enjoy picking over the corpse" - Charles Jencks
As I entered the exhibition I was greeted with this quote and a definition of Postmodernism, in that it "defies definition" but is the most controversial of recent art movements. 
One way of describing it was that it is "like a broken mirror, a reflecting surface made of many fragments". It's key principles were complexity and contradiction and it "shattered the established ideas about style", bringing "a new self-awareness about style itself".
"Whoever decides to abandon the modern movement can choose between Versailles and Las Vegas" - Italian Critic Bruno Zevi in 1967. Zevi was essentially saying that the primary ingredients of Postmodernism at the beginning were ("both/and rather than either/or" - Robert Venturi) high classicism and 'low' pop culture.
Robert Venturi and his partner Denise Scott Brown are very influential architects and in 1972 published a book called Learning From Las Vegas. They also used a lot of collage between the 60s and 70s that used 'Historicism' whose central aim was "to replace a monolithic idiom with a plurality of competing ideas and styles." This was the start of moving from modernism into postmodernism. 
Giulio Paolini's sculpture of L'altra (The Other Figure) from 1984 stood out to me as it plays on the high classicism of the past, but gives it a melancholic edge that is more sad and introspective. 
I have looked at Robert Rauschenberg in the past and have always admired his work so it was interesting to see his work 'Estate' from 1963 feature. 
This follows on the theme of collage, but is developed into 'Bricolage' which is a cut and paste technique.
Anthropologist Claude Levi-Strauss defined a bricoleur as "someone working with 'oddments leftover from human endeavours'. 
Therefore if modernist objects were based around utopia, progress and machine-like perfection, postmodern objects seemed to come from a dystopian and far-from-perfect future. 
The exhibition used this clip from Blade Runner (1982) to show this change in thinking, as it dwells on the possibilities and consequences of living in a 'post-human' age.
Moving into the 1980s Postmodernism developed into the New Wave movement. It was the dominant look of the 'designer decade' with vivid colours, theatricality and exaggeration. Everything was a style statement. This change reflected the desire to combine subversive statements with commercial appeal. Magazines and music were the most important delivery systems for this new phase of postmodernism. 
Italian design group Memphis became the forefront for postmodern design and architecture and was started by Ettore Sottsass. The created a 'new international style' and a period style of 'brash colour, vivid pattern and expressive form'.
Meanwhile the energy of the post-punk subculture was broadcast through music videos and cutting-edge graphics. 
It was a few thrilling years where image was everything.
Boy George was part of the New Romantic movement that was huge during the 1980's. Dancers, art directors, choreographers, pop stars, drag queens and nightclubbers were all the unlikely authors of some of postmodernism's most influential style statements. Blade Runner's investigations of identity (Rachael's belief that she is human, when in fact she's a replicant, synthetic life form) are often cited in discussions of postmodern experience. 
Gender was explored, as boys and girls started dressing as each other. Annie Lennox is an example of a pop star who challenged gender norms, showing that androgyny wasn't incompatible with mainstream appeal. 
MTV was launched in 1981 (which I've looked at previously) and so the rise of music videos meant another platform for postmodernism and were vital in broadcasting postmodernist ideas to mainstream culture.
Viewers were presented with a series of celebs posturing before the camera.
There were many examples shown in the exhibition which demonstrate the wide range of musical styles in which postmodern techniques were explored from hiphop to new romantic to techno.
1982
1988
I found looking at the different music videos really useful and made me look at editing my video a little differently. 
"If postmodernism means anything is allowed then I was all for it."
- David Byrne (Talking Heads)

Postmodern graphics and photography involved bricolage, fragmentation and quotation.
Peter Saville was responsible for a number of Joy Division and New Order's album art, where he used 'found' art images.
Magazines such as 'The Face' and 'i-D' produced many postmodernist covers...

By blending the avant-garde and commercial they were a postmodern phenomenon. 
April Greiman and Jayme Odgers used cut and paste to produce posters...
Paula Scher produced posters for Elvis Costello...

Money, however, became a huge issue in the 1980s due to living in Thatcher's Britain. 
Andy Warhol 'Dollar Sign' 1981
Warhol's ironic acknowledgement of his own works market value exemplifies postmodernism in its final stage. Postmodernism collapsed under the weight of its own success. It participated in the culture obsessed with wealth and status that was the undoing of the movement. 
"Money doesn't mind if we say it's evil, it goes from strength to strength. It's a fiction an addiction, and a tacit conspiracy." - Martin Amis
'Protect Me From What I Want' by Jenny Holzer, Times Square, 1985
By the end of the 1980s postmodernism was no longer a radical subcultural style. It had gone mainstream.
Han Dynasty Urn with Coca-Cola Logo by Ai WeiWei, 1994
Ai WeiWei used a 2000 year old urn for the piece above. Ironically after he'd defaced it and turned it into contemporary art it became even more valuable than before.
Postmodernism left behind a set of unresolved intellectual provocations. It was marked with a sense of loss, even destructiveness, but also a radical expansion of possibilities. 
In the permissive, fluid and hyper-commodified situation of design today, we're still feeling its effects. In that sense, like it or not, we are all postmodern now.
The exhibition closed with New Order's video for Bizarre Love Triangle (1986).
The bizarre editing effects and montage style is very influential and the symbolic images make it a memorable postmodern music video. 

Thursday, 13 October 2011

Audience Research: Target Audience

I decided to survey a selection of the target audience of 16-25 year olds on their music video watching habits and what music videos they think are successful...
Lorna, Saffie, John, Tash, Daniel
Natasha
Age: 17
Subjects studying: Media Studies, English Literature, ICT
Favourite genre of music: Country Rock
In what medium do you watch music videos: YouTube
How many music videos do you watch in a week: 0
Favourite music video you've seen recently: Raise Your Glass by Pink

John
Age: 17
Subjects studying: Media Studies, Business Studies, Photography
Favourite genre of music: Indie
In what medium do you watch music videos: YouTube
How many music videos do you watch in a week: 20
Favourite music video you've seen recently: Time To Pretend by MGMT

Lorna

Age: 17
Subjects studying: Media Studies, Art, ICT
Favourite genre of music: Country/Pop
In what medium do you watch music videos: YouTube
How many music videos do you watch in a week: 15
Favourite music video you've seen recently: I Won't Let You Go by James Morrison

Saffie
Age: 17
Subjects studying: Art, Textiles, English Literature
Favourite genre of music: Folk
In what medium do you watch music videos: Online if at all
How many music videos do you watch in a week: 0
Favourite music video you've seen recently: There aren't usually videos for the songs I like.

Daniel
Age: 17
Subjects studying: Chemistry, RE, Biology
Favourite genre of music: Pop
In what medium do you watch music videos: YouTube
How many music videos do you watch in a week: 10
Favourite music video you've seen recently: Summer Nights by Grease

What this means...
As I thought, the majority of young people keep up to date with their music through YouTube, which I looked at here.
Also, as Saffie highlighted her favourite genre is folk and the reason she doesn't watch many videos is because there aren't many made for her genre. My remix/dance genre is also niche so there aren't many made, something I've also looked at. Therefore I have a little more freedom, but there are less conventions for my genre, so I have to look a bit wider in the music industry to gain inspiration and ideas.

Tuesday, 11 October 2011

Inspirational Shots

On Saturday I came across the below video which featured a female in beach and forest locations. The way she was acting, and many of the shots are similar to how I envision my video. Therefore it is very inspirational, and during my second beach shoot on Sunday, I was trying to emulate its characteristics and will definitely have it in my mind while shooting the forest sequences on Sunday. 
Here are some of the shots that I like from the beach location...
On my first shoot, I did similar angles and direction to those represented here, including close ups.
Also I had my artist spin on the beach, as I thought it fitted conventions. This clearly reaffirms this.

And the forest location...
While running through the forest in this video relates to the title/lyrics, I had originally wanted this also as it makes it feel more ethereal and personal.
 Another way for it to feel more personal and connect with the audience is to do extreme close ups in slow motion. I like this shot as she looks down and closes her eyes. I think it looks really good and artistic and am looking forward to imitate on Sunday.


When it comes to the editing process I may try some of the editing techniques in making the shots lighter (brightening the image) as it gives it more of a nostalgic feel, which is similar to the home-movie style that I wanted for some of the video.

Monday, 3 October 2011

Audience Research: Genre

Who listens to dance music (and the surrounding genres)?
My target audience is 16-30 year olds who regularly listen to, download and share music, specifically from the genre dance. They are more likely to have a disposable income, also, as they are young but will be students or starting out in their careers. As my video would broadcast on music channels and YouTube, I need to think about the differences in grabbing the audience through these different mediums. The majority of my audience will watch over YouTube as they spend more time on the internet than watching television. This means they have chosen to click on the video so will need less hooking in than on television, which can be easily flicked over to another channel. The beginning will be slower paced than the rest of the video but is still engaging as it introduces the artist and will be shot artistically. Then, once the beat kicks in the pace will build so by then the audience should want to continue watching.
According to this useful website on the media use of US teenagers, about 44% of what young people watch online are music videos. And the internet is incredibly important to young people in the UK as well, as this recent Guardian article states, just 23% of 16-24 year olds say they would struggle without tv.
Source
So the audience I'm targeting an audience that is very internet literate and is used to spending hours online a day, so in order for my video to stand out from the rest and to be successful I need to make sure it engages with the viewer and looks professional, fitting with the conventions the audience is used to (see below).


How are they traditionally targeted through the media?
Looking at some of the statistics for social networks, Facebook has a huge influence over my target audience's age group...
Source
So marketing is now primarily done through social networking sites as that is where most young people spend there time. There is a lot of business to be made advertising through these sites, so in order for music artists to be known to their audience they need to have a marketing campaign on these sites, with their own pages and interact with the audience, to get them sharing to their friends and talking about the music.


Music video conventions
Lip-syncing 
- Dancing
- The artist featured and engaging with the audience
- Editing to the music
- Different locations/costumes to keep it interesting
- Visual signifiers
- Reoccurring motifs
- Some sort of narrative
- About 3-5 minutes long


Combining my research into what the audience for dance music videos want to see and the established conventions for music videos as a whole here is what the audience will expect to see in my dance music video...
The artist featured and engaging with the audience
- Great cinematography
- Sharp editing to the music
- Lip-syncing 
- Dancing
- Changing locations
- Colouring/Lighting carefully considered
- Repetition techniques - manipulation of the film
- Emphasis on the beat through cuts and pacing
- Close ups of the artist, which provides empathy for the audience which they can identify with


Further detail in specific shots:
Many videos I have looked at have visual signifiers/reoccurring motifs, which anchors meaning for audience. Here are a few that I will include...
- extreme CU of lips to main line of the song
- crash of the waves

Saturday, 1 October 2011

Critiquing Existing Products: Dance Videos

Today I'm going to look at four music videos, some of which are of the dance genre, as well as others which feature inspirational techniques or locations...
Firstly I am going to look at Sunlight by Modestep.
I like this video as has a great USP as it uses older actors who get up to things which young people stereotypically get up to which is interesting and funny to see and has got people talking about - a great marketing device (another similar video is Danny Byrd's Tonight). 
There are many high angles used, as well as close ups of the action
The editing is very fast paced, matching the rhythm and pacing of the song, a common technique which I've looked at a lot. 
It starts off with an elderly woman opening her curtains and making some food, but after putting on a record and letting in her two male friends, the video cuts to the more traditional club/gig scene where Modestep are performing to its typical audience of 18-25 year olds - showing that the scene is less than typical.
In the club scenes they a shot very intimately with a lot of close ups of the decks, instruments and singer, as if you were there in that claustrophobic club, a great technique to use to make it feel more real and relatable to its target audience.
There is great use of slow motion throughout the video, which I think highlights the actions of the older characters as they progress through their day and also makes the change into real time towards the end more effective as the beat becomes much faster so it matches this. The video cuts between the typical club scenes to this narrative, which is effective in telling the narrative. The first shot of the 3 older actors doing something out of the ordinary is below.
They then go on to shop lift, drink heavily, play poker, smoke, take drugs, trash the house, walk along the beach, drink in public, smash bottles, do shots, get thrown out, pick up girls, go clubbing (it becomes clear that they end up in the same club as the one Modestep are performing in, tying up the video nicely), watch girls pole dancing, do more drugs, dance on a boat until dawn, having a party in their garden and having the police come round.
Overall, I think this is a funny (as this is not what you expect from the over 60's), well-shot and clever video that looks at the youth and elderly today and how they are portrayed, so has a message behind it. Also a reoccurring motif that is used is the artists logo, which is seen on the record playing and the helium balloons. 


Next, I'm going to look at another inspirational dance video - Flashback by Calvin Harris.
Flashback uses the lyrics and narrative of the song to create an interesting video. As he is trying to remember what happened to night before, so the video begins in the morning, with the artist alone on a boat surrounded by polaroid pictures. Edited to the music, we see flashes of the night before, specifically following one girl, as we move from streets to a club to a boat. It is edited quickly with lots of movement and we see the artist performing as well. I like the 'flashback' element and the use of the polaroids - a reoccurring motif. There is a lot of red lighting which is inspirational as I'm hoping to have my video toned blue.


Rizzle Kicks' video for Down With The Trumpets is is much more informal and features part of a beach location, so is interesting to look at as one of my locations is also the beach,
It is quite laid back and has a nice retro feel to it, especially with the tape player and huge stereo with unbuilt tv screen that they hold at the beginning. It brings a touch of nostalgia and a home-movie type feel that I'd quite like as well as building a connection with the artists. 
Seeing them both on the screen and holding it at the same time is a nice touch, that, combined with the music and lyrics gives the video a clever, cheeky and fun feel to it: then cutting to them outside fives it an edgy feel. As urban artists it is unusual to film the video on Brighton streets/beach and not on some shadowy streets or in a club. 
The bright lighting and British retro edge make it more fashionable, mainstream and accessible to everyone, whilst standing out from the rest of the urban market. The stereo/tv is a reoccurring motif that works well. 
The artists are very expressive with fluid facial expressions, movements and lots of dancing- contrasting with Calvin Harris who is very serious throughout Flashback. 
Jump cutting and repetition is used in front of the beach huts as some young guys dressed in urban clothing dance quite cheesily, indicating that this is obviously meant to be a little ironic and not to be taken seriously. Slow motion and clever editing make not having such a big budget, not be a problem. 


There is an interesting transition and the beginning of this video, which I have looked at briefly before...
The video overlaps the images of the artists face and shoes over night-time New York from above. I like this transition which I tried out a few days ago and will probably use in the verses in the beach and forest locations to add to the dream-like and home-movie style effect.